Prince Hans

December 7, 2014

You’ve seen Frozen, right? Of course you have.

Better have anyway, because after this sentence are SPOILERS!!!

So, in the tradition of countless Disney princesses before her, Anna falls in love with Prince Hans upon meeting him, they share the movie’s love song, and they rush off to her sister Queen Elsa for permission to marry. Elsa, breaking from tradition (in this and at long last being a Disney princess who was promoted to queen! and being a Disney queen with more than three lines of dialogue who isn’t a villain!), tells her that she can’t marry someone she just met.

Shortly after this, Elsa’s ice powers are revealed, and in fear and shame she escapes into the mountains, inadvertently freezing her whole country in the process. Anna goes off to look for her and leaves Hans in charge. Hans steps up and helps out the freezing citizens (who should be used to this, since this takes place in Norway, which is covered in ice like 10 months out of the year anyway, but whatever), and when Anna’s horse returns sans Anna, he leads a group out to look for her and Elsa, imploring them to not harm Elsa even though they all think she’s an evil witch now or something (probably because it’s a Disney movie, which up until this point Disney mostly painted queens as evil or at least unpleasant). Later, Elsa is captured and imprisoned, and then Kristoff rushed Anna back to the castle for Hans to kiss her, because Elsa accidentally cursed her again and only an “act of true love” can save her, which is assumed to be a “true love’s kiss” from the prince, because, again, Disney movie.

But in a whiplash-inducing twist, Hans refuses to kiss her and reveals that all along he’d been playing her in order to usurp the throne of Arendelle, and he locks her in a room to die.

Whoa! They go through the whole love song and his whole looking-at-her-lovingly-as-she-walks-away only to reveal it was all a lie? And that he’s actually the villain? That… doesn’t even make sense.

Actually… it makes perfect sense, if you read between the lines.

When Kristoff and Anna visited the trolls after she was cursed, they initially thought she was Kristoff’s girlfriend and tried to force-marry them in that annoying Fixer Upper song. Kristoff finally yells that she’s engaged to someone else. The song resumes and includes the following line: “So she’s a bit of a fixer upper. Her brain’s a bit betwixt! Get the fiancé out of the way and the whole thing will be fixed!”

Up until that song, he’d seemed perfectly okay. That line in the song implies the trolls intend to remove Hans from the picture because they so badly want Anna to be with Kristoff.

So what I’m trying to say is that the trolls cursed Hans. Perhaps cursed Anna actually so that the moment he was about to kiss her, he had the sudden change of heart. Cursed him with a frozen heart, I suppose. So when he went to kiss Anna and the curse took effect, any love for her was gone and he became greedy and backstabbing.

There’s a couple of ways to look at that. The trolls were worried primarily about Kristoff and Anna getting together that they didn’t realize this curse on Hans nearly got Anna killed. Or maybe they saw far enough ahead that it was now-evil Hans’s attempt to kill Elsa being thwarted by Anna sacrificing herself (surprise! said act of true love was sororal love, not romantic!) that solved pretty much every problem. Though that part could still have been luck.

Or maybe they didn’t actually care about what happened to the others. They just wanted to fuck with Hans and know that his curse would wear off while he was in that little jail cell on that ship and he’d be all “wait… WTF just happened?”

They are TROLLS, after all! 😉

Till We Find Our Key Change

October 9, 2014

I don’t always have a solid answer to the question of what my favorite movie of all time is, as there are a few that are up there. But I love The Lion King. I like animated Disney movies in general, but this one is just gold. For one, it’s got “Circle of Life”. True, obvious rip-off of Kimba is obvious, but The Lion King has “Circle of Life”. I also like The Little Mermaid, Aladdin, Toy Story, Frozen, and others. But The Lion King has “Circle of Life”.

The sequel, Simba’s Pride, is alright, and confirms what the (vastly superior, of course) original hints at… Simba’s kind of an asshole. And, no, I do not even acknowledge the existence of the horrific abomination that is The Lion King 1½. Fuck that noise.

Anyway, today is October 9, and I have a tradition that every year on October 9, I watch The Lion King. I’m not even going to try explaining the origin of this, as I wouldn’t even know where to begin, and as is the case with a lot of my origin stories, it’s not particularly interesting.

So here are some lovely and totally real quotes from this spectacular movie! 🙂 :cute:
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The Disney Sigh

December 2, 2012

It is a special reaction. Where one must sigh in exasperation, shake the head, all while saying “oh, Disney…”

I had one of those moments the other day when I was watching Fantasia. Hadn’t seen it in a long time.

Then I saw the part of the Nutcracker Suite segment with the mushrooms. You know the ones. They have diagonal slits for eyes. The caps are really wide like those hats. They dance around in a perpetual bow with hands pressed together.

Yeah…

The same reaction as to the crows from Dumbo. Or the Siamese cats from Lady and the Tramp.

Though it was the Pastoral Symphony segment, preceded by a description of that segment in which the word “centaurette” was used, that made me want to slap someone. -_-

Varying Princesses

February 27, 2012

Yeah, I’m thinking about Disney movies again.

You know what bugs me? Seeing all the Disney princesses lumped together. Snow White. Cinderella. Aurora (maybe). Jasmine. Ariel. Belle. Pocahontas (maybe). Well, that’s not all the princesses, missing Eilonwy and a few others, but you get the idea.

But, yeah, the thing is… not all of those characters are the same. For one, Snow White and Cinderella are from around World War II, while Ariel, Belle, and Jasmine are from the early 90’s. A lot of feminism happened in the interim. And it shows.

You really cannot compare Snow White (from 1937) with Jasmine (from 1992). You cannot paint those two with the same brush. Because, simply, Snow White sucks, and Jasmine is awesome.
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Disney Captivity

February 7, 2012

So… I’m thinking of a popular animated Disney movie. Let’s see if you can figure out which one I mean!

Main character passes through a scary night in a strange unknown place, having lost someone. Then main character, upon being discovered by those who live in said strange unknown place, who in real life are inanimate objects but for the movie’s sake they can talk, is now being held prisoner there! Sure, they try to make friends with this imprisoned visitor otherwise, but still, the main character is trapped, unable to leave, forbidden from contacting the outside world.

Those in this strange place are also under some hard times, have been for a while, and are always waiting for a miracle to save them.

Main character does finally escape and gets away faster and faster… only to get caught and returned, imprisoned again.

The main captor offers the main character better place to spend the night than the original prison-like conditions, a move the main character sees as a great kindness despite still being just as senselessly trapped there.

In fact, the main character even begins to fall in love with the captor! Despite still being, you know, a prisoner.

When at long last the main character is liberated… just turns right back around and returns to the place of imprisonment, having fallen in love with the main captor and befriended the former jailers. And in doing so fulfills the miracle they long awaited.

The end.

OMG! Did you see that? Fell in love with the captor and returned even when finally freed? Stockholm Syndrome much, Disney?

So… what movie am I describing?

Yup, you know which one.

The movie I’m describing is…


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